Overview
Naoise was one of the three sons of Uisneach, and his tale forms part of the Ulster cycle. He figures in the story of Deirdre, who was foretold as the cause of great sorrow to Ulster before she was born.

Stories of Naoise:
It was said that she would be very beautiful but that she would lead to trouble and strife among the men of Ulster. In order to forestall this, the King of Ulster, Conchobar, had her hidden away and raised in seclusion in order that he might marry her himself when she came of age. Deirdre was not so willing to be married to such an old man, and on seeing a stag killed in the snow, and a raven drinking the blood, she commented that she wished she could marry a man with hair the colour of the raven, cheeks the colour of the snow and lips the colour of the blood. While walking in the woods one day after this she was attracted by the sound of beautiful harp music and came across Naoise playing by a river. He was of exactly the colouring mentioned above, and Deirdre fell instantly in love with him. She pressured him to elope with her. At first he resisted, because he knew of the prophecy surrounding her, but eventually gave in to his own love for her, and the two fled to Scotland accompanied by Naoise’s brothers. They lived there happily for a time, but Naoise grew homesick of Ireland, and when a message came from Conchobar that he had relented and wanted them to return, Naoise was only too glad to do so, despite Deirdre’s foreboding. On returning to Ireland, Naoise and his brothers quickly realized they had been trapped. They made a valiant last stand and may in fact have won had not Conbhobar engaged sorcery on his side. The three brothers were slaughtered, and on seeing their bodies lying in the snow, Deirdre threw herself on top of Naoise and died of grief. However, in the conflict, many of the finest men of Ulster had lost their lives, thus fulfilling the prophecy.

Conclusion:
Naoise is a romantic figure, willing to risk all for his love and fight to retain it. He is depicted as well loved by all and as a mighty warrior in his own right. However, he does not exist outside of this story, and his function is to show the futility of defying prophecies. He is remembered best for his extremely good looks sand his readiness to die for the woman he loved.

Background
Morrigán means “phantom queen” and the Morrigán in Irish Mythology was a deity who could change shape and would influence the outcome in battles by playing with armies psychologically. Rather like Dionysus in Greek myth, the Morrigán could embody the darker side of nature, and work through alternate means, whether through drink or metamorphosis.

The Morrigan is a goddess of battle, strife, and fertility. She sometimes appears in the form of a crow, flying above the warriors, and in the Ulster Cycle, she also takes the form of an eel, a wolf, and a cow. She is generally considered a war deity comparable with the Germanic Valkyries, although her association with cattle also suggests a role connected with fertility, wealth, and the land.

Tales of the Morrigán
One tale of the Morrigán’s changing appearance concerned Cúchulainn. She appeared to the hero in the form of a beautiful young girl and declared her love for him. But he spurned her advances and in revenge she attacked him, first as an eel, then as a wolf, and then as a heifer. Cúchulainn overcame her and in her exhaustion she appeared to him as an old woman milking a cow. She gave him milk and he blessed her.

The Morrigán also represented sexuality, and she ritually mated with Daghda astride a river, with one foot on either bank. She also possessed herbal magic and used it to cast spells. She turned Odras into a pool of water as Odras’ bull had mated with the Morrigán’s cow.

Conclusion
The Morrigán had close associations with magic and death and her dark nature was a danger to her enemies.

Background
Medb was one of the daughters of the king of Tara, who killed her pregnant sister. Medb then married Aillil and took over the territory of Connacht which would have belonged to her sister. She was most famous for her role as the queen of Connacht during the Battle or the Brown Bull of Cooley, but she also has many mystical qualities, which mark her out as one of the many Celtic goddesses. She was the goddess of sovereignty and territory, as can be seen from her independent and territorial character. She refused to let any king rule at Tara who had not first mated with her, and she was generally depicted as extremely promiscuous. Her name has strong links to twhe word ‘mead’ and her constant seducing of different men is related to the intoxicating effects of this drink.

Medb and the Táin Bo Cuailnge
As in all her relationships, Medb had to be the dominant partner in her marriage with Aillil. She felt her superiority was being challenged one evening during a recital the two made of their respective property. Aillil said he had a white bull of matchless beauty among his herds. Medb had nothing to compare with this, but she had heard that an Ulster man, Cooley, had a famous brown bull. Medb wanted to possess this bull in order to surpass her husband, and she sent messengers to Cooley, demanding the bull. Cooley was inclined to grant her request until he heard one of the messengers, while drunk, say that even if Cooley did not give up the bull, that Medb would take it by force. Cooley resented being dictated to by such a woman and so refused to part with the bull. Thus began the famed Táin Bo Cuailnge, “the Cattle Raid of Cooley”, in which Medb sent all the hosts of Connacht to try to seize the bull. Cúchulainn, the famous hero of Ulster, stood against them for a time until the armies of Ulster were in a position to fight back. Medb tried to weaken the opposition through bribery and trickery, but was unsuccessful. She persuaded her greatest warrior, Ferdia, to fight against Cuchulainn, who was his foster brother, in single combat, and this led to the death of the last champion of Connacht. Her followers were then heard to repent that they had ever been guided by such a vengeful woman. On the eve of the final confrontation between the two armies the bull of Cooley was sent into Connacht for safe keeping. The bull bellowed on entering new pastures and was heard and set upon by Aillil’s bull. The two animals gored each other to death, symbolising the wasteful conflict between Connacht and Ulster. Medb was ultimately killed herself by the son of her murdered sister, and it was thought that she was killed by a sling shot bearing a piece of cheese!

Conclusions
Medb was a strong and independent character, with a knowledge of magic and sorcery. She never shirked her part of the work, and knew well how to encourage and lead her followers. She was definitely the stronger partner in her marriage with Aillil. She was always depicted as beautiful but was often seen dressed for war, leading the charge in her own chariot. At times she was depicted as laughable, but she was a strong woman who was not to be crossed. She was harsh and domineering, and thought nothing of causing an entire war simply to acquire more possessions and reassure herself of her superiority.